本帖最后由 sota1999 于 2010-3-1 17:00 编辑
Ma Sanli
Ma Sanli, famous Player of crosstalk, was born in Beijing in 1914. He is Hui ethnic minority and his family members are all good at Chinese folk art. His grandfather Ma Chengfang was player of story-telling and grandfather-in-law En Pei was also a crosstalk player, Ma Sanli's father Ma Delu and elder brother Ma Guiyuan were all famous crosstalk players.
Ma Sanli grew in Tianjin and studied in Tianjin prominent Huiwen Middle School. In his 15 years old, Ma Sanli formally respected Zhou Deshan as his master for crosstalk playing. Early and late, he partnered with Gen Baolin, Liu Kuizhen, Hou Yichen and Zhang Qingsen to play dialogue crosstalk. He is good at playing crosstalk programs with literate humor and long-time reciting. Some of his works, such as "Article Contest", "Xijiang Moon", "Wotou Theory" and "tongue twister", are very welcome in Beijing and Tianjin people.
After the foundation of People's Showroom Republic of China, Ma Sanli joined into Tianjin Folf Art Troupe. Beside dialogue crosstalk performance, he is very skillful in single crosstalk. "Monkey-purchasing", written by famous writer He Chi, is Ma's masterpiece, which showed a slapdash staff to write "Monkey Brand Soap" into "Monkey" so as to cause purchasing agent to buy monkeys back. That staff's name is "Ma Da Ha", which now is used to satirize careless people. It is a new word born from this crosstalk and has made great response in China society.
Single crosstalk of Ma Sanli, also has special glamour, because his performance can afford the food for your thought. For instance, his one work "Heritage Secret Medicine" is about a people who suffered a long time for his skin itches. Once he met a seller who declared that his medicine is a heritage of his ancestor and is very useful for skin itches. The seller promised that if his medicine is useless, people can returned it back to him. That poor people was moved by the seller's words and bought one. When he was troubled by the itches, he found that medicine then opened the layers of wraps and got a little note at last. In the note, there are only two words--"Just scratch".
Ma Sanli and Famous Actor Chen Shu
For years' performance experiences, Ma Sanli has owned his featured style. He likes to play with first person--"I". "I" is leading character in his performance and also the role to be sneered.
Pain and Pleasant
At a night of March 11, 1984, a folk art evening party is held in Tianjin Biggest Cinema--No.1 Worker Culture Palace. Cheers and applause rose from hot audience again and again. Behind the stage curtain, however, the backstage was full of an atmosphere of quiet and solemn. All people's eyes are focusing on an old man before a mirror. The old man is most prominent and welcomed crosstalk player Ma Sanli. "Ma, why don't change today's program?" said by his partner Wang Fengshan. "Why?" "I am afraid..." "We can't change the program. From the newspaper, people all knew that Ma Sanli and Wang Fengshan will play 'Opening Gruel Shop' tonight. Many people came here for this program. We must keep our credit and never alter the program." "You haven't had rest for days. This program has long-time speech and is very hard for you today." other people added.
Ma Sanli just smiled and then replied: "Thank you every one. I won't replace the original program. Just take it easy. I can hold it."
Why there is a talking in the behind stage. One hour ago, Ma Sanli was despite the persuasion from his colleagues and troupe leaders, left form his wife who was in critical illness and was being saving in emergency room of hospital. For other people's happy, he kept his suffers from his heart.
In the hot applause, Ma Sanli went to the center of the stage and then bowed for his audience. Seeing his friends, Ma Sanli suddenly forgot his pains and devoted himself into the performance. His performance was very successful that night. Again and again, he returned to the stage to add new programs until all people were satisfied. After the end of the party, Ma didn't wash his face and right now returned to the hospital.
Maybe to wait for seeing her husband and, Ma's wife fought with death until Ma Sanli returned to the hospital. She tries to open her eyes to look her husband and and then smiled, like completing her last hope.
This thing is took place almost 20 years ago. And Ma's great personality will be our model and perfect character for ever. From these ordinary things, we can see a full-image of crosstalker Ma Sanli.
Yes. Ma is an ordinary people and he also a hero in his audience. He has met countless hard in his life and he at last used his thin body to accept and stand all these suffering and hardships. The most important is that he silently wiped his tears and turned them into humor jokes with great will for other people's happy, even during his most hopeless time. On the other side, many secular and mediocre person, who always look around their own narrow fields and calculate their private things all days, will never reach Ma's high spirit.
Mr. Ma's crosstalk performance art has its features. He likes to think about the crosstalk art and often creates his own concepts. Added his smart gift and professional spirit, he gradually becomes a great artist after his tens of years experiences. He once said that learning crosstalk is very easy but playing crosstalk hard.
In the crosstalk circles, Ma Sanli, once an excellent student in Huiwen Middle School, is known for his cultural accomplishment. In his well-known programs, he described the little things and person image around common public. Hearing his crosstalk likes to read a book of life. People easily find explore philosophic theories from these art images combining Ma Sanli's 70 years' experiences and taste to China Society. To Ma's audience, he is their friend and senior elder. Ma Sanli raises folk art-crosstalk to a fairly high culture taste. He is transmitting elegant containing through popular ways.
Ma Sanli is talking with a girl in a
school party
Being an artist, he is always quiet and moderate in his life. To personal fame and benefit, he is always not interested in. Since these years, many so-called "Humor Stars" get much money. A youth amateur player become very famous to earn hundreds of yuans for every playing by being good at simulating Ma' performance. Ma Sali himself, however, only gets 10% of that guy. But Ma doesn't care it--"People make me as a celebrity and then like to simulate my works. It's a normal thing. I am 88 years old and money is useless for me." Tianjin once hosted a "Ma Sanli Cup" China Crosstalk Contest. Ma Sanli was invited as chief art advisor and evenly didn't see the championship cup. In a evening party for his 65th anniversary of Ma's performance experience, he just sat for a while during the opening. When the evening party started, he left and went to join into his a long time audience (also friend) 's funeral.
This is the real Ma Sanli, who doesn't be led by unfair treatment and great honors. Now 80 years old Ma Sanli still lived and worked optimistically. He will continuously use his tasted humor to warm people's hearts. He is actually a "People Civil Servant".
Let us wish the longevity and happiness for our humor master--Ma Sanli.
辛苦好几天,终于翻译完了,不足之处,大家多多指点
马三立,著名相声演员, 1914年在北京出生,回族,他的家人都是著名的民间艺人。祖父马诚方是评书艺人,外祖父恩绪也是一个相声演员,马三立的父亲马德禄和兄长马桂元都是著名相声演员。
马三立生长于天津,在天津著名的汇文中学学习。15岁时,马三立正式敬重他的相声大师周德山比赛。早期和晚期,他先后与耿宝林、刘奎珍、侯一尘、张庆森搭档。他擅演文哏和 “贯口”段子。他的一些作品,如“文章会”,“西江月”,“窝头论”和“绕口令”,非常受北京,天津人民欢迎。
建国后,马三立加入到天津曲艺团。他不仅擅长对口相声,而且对单口也进行过细致研究。 “买猴”,是马的杰作,它由著名作家何迟创作,说的是一名采购员因马虎将“猴牌肥皂”误认为“猴子”,从而导致买猴子回来。采购员名叫“马大哈”,现在是用来讽刺粗心的人,这个来源于此相声的新词在社会上产生了强烈反响。
马三立的单口相声,也有非凡的魅力,因为他的表演能为你提供精神食粮。例如,他的一个作品“祖传秘方”是说一个遭受了很长时间皮肤瘙痒的人,遇到了一个卖药的,他宣称他的药是他祖先遗产,治疗皮肤瘙痒非常有效。并承诺无效退款。这个可怜的人被打动,买了一包。这天当他瘙痒难忍时,打开药的层层包装,最后得到一小纸条,上面只有两个字: “挠挠”。
多年来的表演经验,马三立已拥有自己的特色风格。他喜欢用第一人称 - “我”。主角“我”,在他的表演中发挥了主导和讽刺的作用。
疼痛和欢乐
1984年3月11日晚,一台曲艺晚会在天津最大的剧场 - 第一工人文化宫举行。热情的观众发出一次又一次的欢呼和掌声。但是幕后,充满了一种宁静肃穆的气氛。所有的人的目光聚焦于镜子前的一个老头。这位老人是主要演员:最受欢迎的马三立。 “三叔,要不今晚改块活吧?”他的搭档王凤山说, “为什么?” “我怕...” “我们不能变,报上的广告都登出去了:马三立、王凤山今儿合说《开粥厂》。人家大老远的来到这儿,就为听这段儿,信用要紧,活不能改。 “您可好几宿没怎么睡了,这么大的‘贯口活’可够您一戗!”
马三立微微苦笑,轻轻挥手,平静地说:“大家伙儿的一片盛情我心领了,可节目不能变,放心,我顶得下来。”
发生什么事情了呢?一个小时前,他拒绝了领导和同仁们的劝阻,在医院急救室里含泪暂别了与自己相依为命携手度过几十个春秋、如今病入膏盲的老伴甄惠敏,毅然登上汽车赶奔剧场,他是在强压着内心的痛楚而去为别人酿造愉悦与欢笑。
在热烈的掌声,马三立来到舞台中央,然后向他的观众鞠躬。看着他的观众,马三立突然忘记自己的痛苦,全身心投入表演。那天晚上非常成功,他一次又一次返场,直到观众带着满意的笑容陆续退场。他直到演出结束,脸都没顾得洗,便匆匆登上汽车赶回医院。
老伴儿好像是在专门等待着相濡以沫几十年的丈夫,宁肯咬牙强忍弥留之际巨大的痛苦也不肯轻易抛开这纷纭繁复的人世。
这件事已经过去20多年了,但他所展示出来的强大的人格魅力,却永远为我们的榜样和心中的完人。从这件看似平常的事件中,我们更可窥见到一位更为丰富与完整的马三立。 是的,在他的观众心中,马是一个普通的人,也是英雄,他用他那瘦弱的身体承受了生活中无数的苦难,但最重要的是,即使在他最绝望的时候,他也是默默地擦干了眼泪将痛苦化为幽默,为他人送去幸福,相对于另外一些人,那些总是只顾自己小圈子和一己之私的世俗平庸之人,他们绝不会达到马三立那么高的精神境界。
马先生的相声表演艺术有其自己的特点。他喜欢思考相声艺术,形成自己的概念。另外 他的天赋及专业精神,使他经过数年的历练后逐渐成为一个伟大的艺术家。他曾说过,学习相声是很容易的,但表演好相声很难。
在相声界,马三立因曾在汇文中学学习而有着较高的文化修养。在他的经典节目中,他细致的描述了群众周围的生活和小人物,听他的表演就像阅读一本生活百科之书,由于马三立塑造的艺术人物中结合了他70年的经历和对中国社会的感触,人们从中不难发现人生哲理。对于听众,马三立是朋友和前辈,他将民间艺术------相声提高到了一个较高的文化层次,并通过大众化的方法想听众传达了优美的内涵。
作为一个艺术家,在他的生活中总是平静和温和的。对于个人的名利,他总是不感兴趣,这些年来,许多所谓的“幽默之星”挣了不少钱。一个青年业余演员因擅长模仿马三立表演,变得非常有名,并通过表演赚取了很多钱。然而,马三立自己,只获得那个家伙的10%。但马不放在心上, “人们模仿我的样子,我的作品,这是正常的事情。我都88岁了,金钱对我来说是无用的。” 天津曾经举办过一次“马三立杯”中国相声比赛,马三立应邀首席担任艺术顾问但最后没有看到冠军奖杯就离开。在他的65周年演艺生涯演出晚会上,他只在开幕时坐了一会儿,当晚会开始后就离开了,去参加了一位老观众(亦是朋友)的葬礼。
这是真正的马三立,一位不为不公待遇所主宰的幽默大师。现在,80岁马三立仍然乐观地生活和工作。他将继续用他的相声幽默来温暖人心。他实际上就是“人民公务员”。 让我们祝愿我们的幽默大师------马三立长寿和幸福! |